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(EN) We are the weaker sex. We’re godesses, muses, amazons and warrior queens. We can’t control our feelings and we bleed once a month, because we deserve it. We cry, scream, sulk and suffer inexplicable mood swings. We’re little princesses who love to dress up and curtsy. We need a man to tell us how to get organized. We all have oversensitive antennae and they hurt. We are either whores, saints or moms. We read signs in everything. We like to provoke but we don’t fully understand the impact. We’re good liars, use our bodies to get on in life, argue that it’s impossible to understand if you’re not a woman. We’re sirens. And the stage is ours.
Ontroerend Goed in coproduction with Vooruit, Theatre Royal Plymouth & Richard Jordan Productions Ltd. With support of Summerhall. With support of the Flemish Community, Province of East-Flanders and the City of Ghent. The language is lacerating, the performances bruising in their upfront intensity – and the effect is utterly exhilarating. * * * * * - The Times - Sam Marlowe
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(NL) Wij zijn ’t zwakke geslacht, maar we zijn met meer en we leven langer. Ons gevoelens hebben we nie in de hand. Een keer per maand bloeden we, omdat we ’t verdienen. We zijn godinnen, muzes, amazones, vechtersbazinnen. We kennen ons eigen mysteries nie. We schreien, roepen en tieren, zwijgen als ’t nie nodig is. Ons goestingskes veranderen gelijk niets. We zijn prinseskes die kicken op een hoepelrok. We hebben ne vent nodig die het voor ons regelt. We hebben van die lange voelsprieten en da doet zeer. Als we lief zijn voor elkaar, dan verwachten we ne klauw. We zijn hoeren, brave meiskes, mama’tjes. We zien overal tekens. We dagen uit maar als ’t mis loopt snappen we ’t nie. We kunnen goe liegen, gebruiken ons lijf om ergens te geraken, en ge kunt ons nie begrijpen als ge zelf geen vrouw zijt. We zijn wijven. en het podium is van ons.
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…The language is lacerating, the performances bruising in their upfront intensity – and the effect is utterly exhilarating.
…despite what sometimes seems a disturbingly confused line of thought, Sirens emerges as a tremendously vivid piece of work about young western women in the early 21st century, checking their privilege, identifying the battles still unwon, insisting on the right to express their own blazing sexuality; and using their voices in ways that break new theatrical ground, and mark this show out as a fantastic theatrical experiment...
…It's the unexpected juxtapositions that make this beautifully put-together show so startling and so thought-provoking. Big, bold, brazen, and not a hussy in sight. Only real women asking what it means to be a feminist.
This is not a show that pitches women against men, instead it’s a call to arms for both sexes. Women, the show suggests, are just as complicit in creating our place in society as men are. It’s a dynamic, essential evening and one that challenges the way we see each other and ourselves.
It’s a strong piece of work, and a great showcasing of women’s voices – in many senses of that word.
One out of six women gets sexually abused and two out of six get involved with violence at home. I wondered if those numbers were correct, so I started to talk about it with friends and I made a list to keep score. When I got to my 10th friend I just stopped because I got so depressed … When you start to talk about it, when you open up, there are so many stories that women tell you.
I personally don’t want to have kids, so I have a lot of discussions about that with people and one man said to me, “well, why don’t you remove your womb then?” I just got so angry, I was like … how can you even say that? It’s just those little things. You hear so many stories once you open up to women about these things, and that’s what really made me angry. It’s fun to do the show, because you know why you stand there and you scream. I have the right to scream because I’m angry about this and this and this and this, and this is just a chance that Alexander gave us to scream it all out. I love to scream.
We had a post-show talk and there was a woman who came for the second time and she brought her 15-year-old daughter, and she said “I hope that all 15-year-old girls see this.” There was also one guy who said that he thinks that the word feminism should be a more equal word to show that it’s about equality between men and women, and that feminism is a very female word. For me, that shows that if feminism is still a dirty word to use in this society then this society is still very patriarchal.
I now love the word feminism. I’ve seen sweaters in the UK that men are wearing as well saying “This is what a feminist looks like” and that’s what I love, because a feminist can be anyone. I think everyone should be a feminist.